![]() ![]() Then the crowd began to cheer, and it was like a wave coming toward me. “When I first walked on stage, in Central Park, in front of the Great Lawn, and it’s full of people…it was kind of terrifying for a minute. ![]() “ Tapestry had become such a huge hit, and I really wanted to give something back to the people,” remembers King. This performance should be seen.’” explains Adler “His interest excited me and I said, ‘Yeah, let’s do it.’ I contacted Carole and we got started.” “Recently, John McDermott came to me and said, ‘This should be a film. King presented her performance on the lawn in two parts-first alone, on piano, and then fronting a powerhouse 11-piece band. In the aftermath of the Central Park performance, Adler took the film and recordings back to Los Angeles where it remained unreleased for 50 years. I had no idea what I was going to do with the film at that time, but I felt that something this important should be documented.” Then I had the notion, having done the film Monterey Pop I felt that something this big should be filmed. New York was everything to her and she wanted to give something back to both her hometown and devoted fans.”Īdler adds, “I brought Hank Cicalo, my recording engineer from Los Angeles, out to Central Park to record the show as it might possibly become an album. This was where her upbringing took place and where she got her start in music. “I got in touch with Ron Delsener and told him that Carole was coming home to New York. “We wanted to do something special with Carole in New York,” remembers Adler. Directed by George Scott and produced by Lou Adler and John McDermott, the film presents the complete multi-camera 16mm footage filmed and recorded by Adler in 1973 but never before released. ![]()
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